



The private epic of a blind woman named Yinxia
Adapted from the acclaimed novel of the same name by Li Zishu, the film is set in a small tin-mining town in Malaysia, where fragile individuals come into collision with the indifference of fate. Memory and forgetting, life and death, reality and fantasy interweave across a layered, time-shifting structure — and through the flow of time, the private epic of Yinxia gradually comes into view.
In the layered, time-interwoven narrative of This Timeworn Land, I see a quiet epic — fate and the individual locked in silent collision within a theatre of ordinary lives.
Yinxia's journey distills the helplessness one feels when pitted against vast, inscrutable forces. None of her decisions are decisive — no one wins the war against time. But together, they carve a quiet victory: the reclamation of memory, the assertion of dignity, the rebirth of self.
There is a radicalism in telling the story of a blind woman through a quintessentially visual medium. It demands a bold cinematic language — expansive in form, intimate in feeling — with an intense focus on inventive sound design and performance. This film offers audiences not darkness, but a reimagining of the relationship between sight and truth.
An award-winning writer-director whose work explores human contradictions through bold, emotionally charged storytelling. Having lived and studied across four countries, he brings a global sensibility to stories rooted in Asian experience. Born in Chengdu, China; BA from Texas Christian University; MFA in Film from Emerson College. His debut feature Summer Knight won the Asian Future Best Film Award at the 2019 Tokyo International Film Festival, among other international honours.
A multidisciplinary creative with a diverse cross-sector background. With a strong foundation in art and design, she has curated large-scale cultural events for national-level institutions. She has received training in psychoanalysis, offering a distinctive psychological perspective in character development and script work.
An award-winning film producer dedicated to bringing distinctive Asian voices to the international screen. His most recent production, Brief History of a Family (2024), was selected for more than 20 international film festivals, including Sundance, Berlinale, and Karlovy Vary, and received the Best Director Award at the Beijing International Film Festival. A member of Gold House.
An award-winning director of photography with extensive experience across international productions spanning multiple continents. MFA from NYU's Tisch School of the Arts; recipient of the ARRI Volker Bahnemann Award; selected for the ASC Vision Mentorship Program. Credits include Official Selections at Venice (Horizons) and Berlin International Film Festival.
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